The Oxford Book of Twentieth-Century Ghost Stories
Pages: 425
|Published: 1 Jan 1996
Description
"The ghosts of fiction were not killed off by the advent of the electric light, the invention of the telephone, the coming of the motor car, or even by the once unthinkable horrors of technological warfare. Instead they took over the trappings, landscapes, and cultural assumptions of the
twentieth century for their ancient purposes. " Thus Michael Cox introduces The Oxford Book of Twentieth-Century Ghost Stories , a unique collection of 33 of the best and most chilling ghost stories of our era.
The first anthology to trace the evolution of the ghost story over the last one hundred years, this book demonstrates the variety and versatility of the genre and the different ways in which stories of the supernatural have adapted to twentieth-century venues and concerns. In these tales we
encounter not only the returning dead, but also distinctly modern a haunted typewriter, a ghost that travels by train, and an urban specter made of smoke and soot. There are child ghosts and haunted houses, playful spooks and deadly apparitions. The authors of these uncanny tales are as
diverse as the kinds of stories they tell; there are ghost stories by such specialists as M. R. James and Algernon Blackwood and many by authors not commonly associated with the F. Scott Fitzgerald, Edith Wharton, Graham Greene, A. S. Byatt, and Angela Carter are only a few of the literary
celebrities included in this collection. Distinctive and gripping, these stories will linger long
in the memory.
twentieth century for their ancient purposes. " Thus Michael Cox introduces The Oxford Book of Twentieth-Century Ghost Stories , a unique collection of 33 of the best and most chilling ghost stories of our era.
The first anthology to trace the evolution of the ghost story over the last one hundred years, this book demonstrates the variety and versatility of the genre and the different ways in which stories of the supernatural have adapted to twentieth-century venues and concerns. In these tales we
encounter not only the returning dead, but also distinctly modern a haunted typewriter, a ghost that travels by train, and an urban specter made of smoke and soot. There are child ghosts and haunted houses, playful spooks and deadly apparitions. The authors of these uncanny tales are as
diverse as the kinds of stories they tell; there are ghost stories by such specialists as M. R. James and Algernon Blackwood and many by authors not commonly associated with the F. Scott Fitzgerald, Edith Wharton, Graham Greene, A. S. Byatt, and Angela Carter are only a few of the literary
celebrities included in this collection. Distinctive and gripping, these stories will linger long
in the memory.
